5

我创建一个包含六个不同部分的文档的努力遇到了几个问题。任何人都可以帮忙吗？我在下面粘贴我的代码（为了提出问题，我已经稍微简化了这个例子）。

问题 1：如何从行尾隐藏谱号和调号？\score 中的命令的行为不像我认为的那样基于文档。

问题 2：如何将文本标记与行首对齐？我希望“No. 1”等左对齐到工作人员的最开始。

额外查询：有谁知道为什么使用 \partial 会破坏部分测量之前的测量中的光彩？有一个通用的解决方法吗？（没有用 [ ] 对正确的发送进行硬编码。）

感谢您提供任何帮助！

==========================

\version "2.16.2"

notes = {
  \bar""\mark\markup\normalsize{No. 1}
  \clef bass
  \time 6/8
  \key g \major
  \partial 8 \once \stemUp d=8 |
  g( d e) e( c d) |
  \partial 8*5 d g d b g
  \bar""
  \break

  \mark\markup\normalsize{No. 2}
  \clef bass
  \time 3/8
  \key d \minor
  \partial 8 a=8 |
  d,4 bes'8 | 
  \partial 4 cis,4
  \bar""
  \break

  \mark\markup\normalsize{No. 3}
  \clef bass
  \time 3/8
  \key c \major
  \partial 8 g=8 |
  c8 c,16( d e f) |
  \partial 4 g8( a)
  \bar""
  \break

  \mark\markup\normalsize{No. 4}
  \clef bass
  \time 12/8
  \key es \major
  \partial 8 es8 |
  es( d es) bes( c d) es( d es) g( f g) |
  \break

  \mark\markup\normalsize{No. 5}
  \clef bass
  \time 3/8
  %\key c \minor
  \partial 8 g=8 |
  es8. f16 d8 |
  \partial 16*3 es8.
  \bar""
  \break

  \mark\markup\normalsize{No. 6}
  \clef alto
  \time 6/8
  \key d \major
  \partial 8 a='8 |
  << { d,4. e8 fis g |\noBreak
       fis d a' \stemDown a16( g fis g) a8 \stemUp |\noBreak
       d, a d e fis g |\noBreak } \\
     { fis,4. a8 s s |
       d, s8*5 |
       fis8 s s a s s | } \\
     { s2. |
       a8 s8*5 |
       s2. | } >>
  fis'8 d a d,4
}

\score {
  \relative c <<
    \new Staff \notes
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
    \override Staff.Clef #'break-visibility = #begin-of-line-visible
    \override Staff.Clef #'explicitClefVisibility = #begin-of-line-visible
    \override Staff.TimeSignature #'break-visibility = #begin-of-line-
visible
    \override Staff.KeySignature #'break-visibility = #begin-of-line-visible
    \override Staff.KeySignature #'explicitKeySignatureVisibility = #begin-
of-line-visible
    \override Staff.KeyCancellation #'break-visibility = #all-invisible
    \override Staff.KeyCancellation #'explicitKeySignatureVisibility = #all-
invisible
  >>
  \layout {
  }
}

\paper {
  paper-height = 250\pt%7in=504pt max.
  line-width = 432\pt
  paper-width = 432\pt
  left-margin = 0\pt
  top-margin = 0\pt
  bottom-margin = 0\pt
  indent = 0
  head-separation = 0\pt
  page-top-space = 0\pt
  after-title-space = 0\pt
  before-title-space = 0\pt
  between-system-padding = 0\pt
  between-system-space = 0\pt
  between-title-space = 0\pt
  foot-separation = 0\pt
  ragged-bottom = ##f
  ragged-right = ##t
}

\book {
  #(set-global-staff-size 13)
}

\header {
  tagline = ""%removed
  title = ""
}
4

2 回答 2

2

这是您的两个问题的解决方案：

1）我在上面编译了你的代码，警告谱号已经为我隐藏了。拍号问题将通过使用来解决\set Staff.explicitKeySignatureVisibility = #begin-of-line-visible。

2）要解决这个问题，您可以将\mark\markup文本与谱号对齐，然后将其水平移动。

只需替换你\score的这个：

\score {
  \relative c <<
    \new Staff \notes
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
    \override Staff.Clef #'break-visibility = #begin-of-line-visible
    \override Staff.Clef #'explicitClefVisibility = #begin-of-line-visible
    \override Staff.TimeSignature #'break-visibility = #begin-of-line-visible
    \set Staff.explicitKeySignatureVisibility = #begin-of-line-visible % this will do the job with the time signatures
    \override Staff.KeyCancellation #'break-visibility = #all-invisible
    \override Staff.KeyCancellation #'explicitKeySignatureVisibility = #all-invisible
  >>
  \layout {
  }
}

关于您的额外问题：我在 LilyPond (v2.12) 的旧文档中找到了以下引用：

\partial 命令仅用于乐曲的开头。如果在开始之后使用它，可能会出现一些奇怪的警告。

也许这就是您遇到这些问题的原因。我会建议一些解决方法，例如使用不可见的休息（输入为sn，其中 n 是持续时间）。发射问题的另一种可能性是手动控制发射。这很烦人，但它可以完成工作:) 例如：替换你的 1 号的音乐内容，即：

  \partial 8 \once \stemUp d=8 |
  g( d e) e([ c d)] |
  \partial 8*5 d g d b g

为了：

  \partial 8 \once \stemUp d=8 |
  g( d e) e([ c d)] |
  \partial 8*5 d[ g d] b[ g]

我希望这有帮助。

于 2013-09-16T12:05:33.830 回答
2

所以这里的问题是你有一个单一的乐器五线谱被分解成 6 个部分，这会导致谱号、拾音杆、调号出现各种问题。尽管我在上面发布的解决方法效果很好（除了谱号），理想的做法是必须将您的六个示例中的每一个都视为一个小分数。然后你可以让 LilyPond 在下面打印一个。这是一个最小的例子：

A = {c'4 d' e' f'}
B = {\clef bass c2 g c1}
C = {e'4 d' cis' fis' | e' d' cis' }

\score {\new Staff \A}
\score {\new Staff \B}
\markup {This text will be added between the scores...}
\score {\new Staff \C}

结果是：

在此处输入图像描述

注意 C 的最后一个小节只有 3 个四分音符，因此在没有任何\bar ""命令的情况下保持打开状态。此外，谱号、调号和拾音杆的所有问题现在都消失了。

这是您的代码重做。我认为现在效果很好：

\version "2.16.2"

A = {
  \bar""\mark\markup\normalsize{No. 1}
  \clef bass
  \time 6/8
  \key g \major
  \partial 8 \once \stemUp d=8 |
  g( d e) e( c d) |
  d g d b g
}

B = {
  \mark\markup\normalsize{No. 2}
  \clef bass
  \time 3/8
  \key d \minor
  \partial 8 a'8 |
  d,4 bes'8 | 
  cis,4
}

C = {
  \mark\markup\normalsize{No. 3}
  \clef bass
  \time 3/8
  \key c \major
  \partial 8 g'8 |
  c8 c,16( d e f) |
  g8( a)
}

D = {
  \mark\markup\normalsize{No. 4}
  \clef bass
  \time 12/8
  \key es \major
  \partial 8 es8 |
  es( d es) bes( c d) es( d es) g( f g) |
}

E = {
  \mark\markup\normalsize{No. 5}
  \clef bass
  \time 3/8
  %\key c \minor
  \partial 8 g'8 |
  es8. f16 d8 |
  es8.
}

F = {
  \mark\markup\normalsize{No. 6}
  \clef alto
  \time 6/8
  \key d \major
  \partial 8 a''8 |
  << { d,4. e8 fis g |\noBreak
       fis d a' \stemDown a16( g fis g) a8 \stemUp |\noBreak
       d, a d e fis g |\noBreak } \\
     { fis,4. a8 s s |
       d, s8*5 |
       fis8 s s a s s | } \\
     { s2. |
       a8 s8*5 |
       s2. | } >>
  fis'8 d a d,4
}

\score {
  \relative c <<
    \new Staff \A
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
  >>
  \layout { }
}

\score {
  \relative c <<
    \new Staff \B
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
  >>
  \layout { }
}

\score {
  \relative c <<
    \new Staff \C
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
  >>
  \layout { }
}

\score {
  \relative c <<
    \new Staff \D
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
  >>
  \layout { }
}

\score {
  \relative c <<
    \new Staff \E
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
  >>
  \layout { }
}

\score {
  \relative c <<
    \new Staff \F
    \override Score.RehearsalMark.break-align-symbols = #'(clef) %this will put the \mark\markup texts above the clefs
    \override Score.Clef.break-align-anchor-alignment = #0.3 % %this controls its horizontal displacement. In my test, 0.3 was the ideal value to have the No. x exactly at the beginning of each system
    \override Score.TextScript #'font-family = #'sans
    \override Score.RehearsalMark #'font-family = #'sans
  >>
  \layout { }
}


\paper {
  paper-height = 250\pt%7in=504pt max.
  line-width = 432\pt
  paper-width = 432\pt
  left-margin = 0\pt
  top-margin = 0\pt
  bottom-margin = 0\pt
  indent = 0
  head-separation = 0\pt
  page-top-space = 0\pt
  after-title-space = 0\pt
  before-title-space = 0\pt
  between-system-padding = 0\pt
  between-system-space = 0\pt
  between-title-space = 0\pt
  foot-separation = 0\pt
  ragged-bottom = ##f
  ragged-right = ##t
}

\book {
  #(set-global-staff-size 13)
}

\header {
  tagline = ""%removed
  title = ""
}

生产：

在此处输入图像描述

于 2013-09-16T16:55:57.633 回答